Using sound and wavelength to move rocks

Here’s a page from Scott Hill and Guy Lyon Playfair’s book, The Cycles of Heaven, (used without permission) which I bought in 1979 when I was 15. This account of Tibetan monks using the sound from drums and horns to move rocks up a sheer mountain face includes detailed measurements: the monks stand in a 90 degree arc at a distance of 63 meters from the stone to be moved, which is placed over a shallow cutting in the ground and is 250 meters from the cliff face behind.

On a whim this afternoon, I used this frequency calculator to figure out the frequency of the sound wavelength at 63 meters and 250 meters. It turns out, it’s 5.45 Hz for the 63 meter distance from monk to stone at 20 degrees centigrade and 5.26 Hz at 0 degrees centigrade; and 1.3728 Hz at 20 degrees centigrade for the 250 meters from stone to cliff – which if you multiply it by 2 a few times, turns out to be a sub-octave of 5.49 Hz (and 5.3 Hz at 0 degrees centigrade (freezing)). We don’t know at what time of the year this experiment was conducted, but Tibet is likely to be chilly!

So, the resonant wave between the monks and the stone to be moved is our 5.4 Hz magic “still-point” vibration for F which we documented on the home-page; and for the distance between the stone and the reflective cliff the frequency is also a sub-octave of this F.

The total wavelength from the monks to the reflective cliff behind is (63 meters plus 250 meters) = 313 meters. At 0 degrees centigrade, the wavelength is 1.0585 Hz (which if you octave it up (multiply by 2) a bunch of times = 270.97 Hz (our C-sharp is 270 Hz).

The relationship between C-sharp and F is a major 3rd. And from F at 5.4 Hz to C# is a major 3rd (x 5) of a major 3rd (A) (x 5) = 135 Hz x 2 = our C#.

So, there you have it folks: the secret to moving masonry with sound is to create a resonance around infrasonic vibrations of our F frequency, with a harmonic of an augmented 5th at the same time.

The theory of how this works put forward by Swedish aircraft designer Henry Kjellson, who recorded this event and drew the diagram, is that the sound creates a low pressure wave above the rock, and atmospheric pressure moves it up the cliff. The author recounts that he watched the monks move several pieces of stone in this way, although some broke on landing.

I don’t really get that surprised these days when I find that the F and B-flat frequencies which made themselves known to me, displaying remarkable properties that suggest they are fundamental to the fabric of the universe. But this seems like a bit of amazing lost knowledge which we may be able to explain and revive. How the Mayan temples and Egyptian pyramids were built might be related. Some of you may be thinking, “Jules, you’re just going too far – sound isn’t stronger than gravity”. But the notion of Tibetan monks levitating themselves and objects is almost a legend – something we’ve all heard of but which seems to have died out with the incursion of outside cultures. But we find one carefully documented and measured account, and find that the distances and the sound-waves are precisely the “magic” frequency for F which I’ve documented on the home-page as creating a resonant still point against the background resonance of our universe. So, it could just be another coincidence – but at some point the coincidences stack up to such a point that they become evidence.

Forty years on, I see that this book – actually the first non-fiction book I bought – seems to have been at the core of my interests all my life; and even the name (The Cycles of Heaven) is closely connected to the name of this website, the Harmonics of Nature – something I didn’t think about when I named it. In fact, I bought The Cycles Of Heaven with a book-token I had won at school. It was the only book in the store that “spoke” to me. The subconscious takes us on journeys we don’t realise we’re on, until we look back.

News about B-flat creating waves “hovering above your head”

Here’s a podcast about Glenway Fripp’s discovery of standing waves that seem to miraculously form in certain places when a B-flat note is played, sung or, in this case – whistled:  http://atlantic.org/sonic-ids/b-flat

And a snippet more about him from NPR:  http://www.npr.org/templates/text/s.php?sId=7442915&m=1

Closer to home, a friend of mine was telling me a few years ago about an experience he had while jamming where a note that the band  was playing seemed to just hang above his head – floating there.  They all took it in turn to move into that part of the room while playing the note, and they all experienced it, seemingly dwelling above their heads – taking on a life of its own – like some sort of zero-point energy source.

My friend says he has a recording of that, too.  It will be interesting if he can dig it out.