The Day is G!

William Blake said, “to hold the universe in a grain of sand, and eternity in an hour!”

It seems he was right, but eternity may be in a day rather than an hour. A day is a very low octave of a G frequency. And an hour is a very low octave of a D frequency.

And the frequencies for B-flat and F (which I had discovered in a Johannesburg hotel room in 2016, using a tone-generator and Bluetooth headphones) are major-third, musical intervals related to those frequencies. There’s a video of this phenomenon, here. There is a sound like a steam-train slowly pulling into a station, where a sort of “chuffing” sound comes to a stop precisely at the frequencies of 5.4 Hz (F), 10.8 Hz (F) and 7.2 Hz (B-flat).

If there was a giant monochord playing the tone of the Day, then these B-flat and F tones would be part of a melody made from that Day scale.

• In the diagram above, the frequency of the Day is shown in the lower-left corner
• The frequencies I found for B-flat and F are in the middle column
• And the famous A=432 Hz is in the third column

And they are all related as either 3rd harmonics, or 5th harmonics of each other – and linked precisely, harmonically back to the frequency of a day.

 

Harmonic Toolbag:

Let’s take a quick recap of the harmonic and mathematical tools available to us:

• Octaves:
  • The ear hears double the frequency of a note as an “octave”, e.g. perceptively the same note, only lower or higher. For those of us old enough to remember, the bass-lines of My Sharona, and Thank You (Falettinme Be Mice Elf Agin) – or Some-Where Over the Rainbow. (When you multiply the frequency of a note by 2, or touch a vibrating string half-way along its length – you get an octave)
• 3rd harmonics:
  • If you multiply the frequency by 3, (or touch a vibrating string at 1/3 its length), you hear a vibration 3 times faster – sounding like Do-Re-Mi-Fa-So (the “perfect 5th” interval
• 5th harmonics:
  • And if you touched your vibrating guitar string 1/5th of the way along, you would get 5 nodes each vibrating 5 times faster than the original. Sounding like Do-Re-Mi (the Major-3rd interval)
• Yes, harmonics form at the 7th, 9th, 11th harmonic – actually on all whole numbers. But the strongest harmonics are octaves, thirds, and fifths

 

Mapping back to Source

It took me a few years before I realized that all the frequencies I had detected in 2016 in South Africa were divisions of a Day – of a fundamental resonance once every 24-hours – resonant with the Earth’s magnetic field:

In the diagram above, the B-flat and F frequencies I had found are shown in the middle column. And they are 5th harmonics of the Day frequencies in the left-hand column – which are in turn all 3rd harmonics of each other.

It “turns” out that the 3rd harmonic below that B-flat is an E-flat which corresponds to one beat every ancient “Helek”. The ancient Hebrew measure of time (the Helek) is 3.333 recurring of today’s seconds – which is how long it takes the Earth to rotate 1/72nd of a degree. One beat per Helek corresponds to 0.3 vibrations-per-second (0.3 Hz).

And this continues down from E-flat, to A-flat, to C-sharp, to F-sharp and B – and from there, we go down a 5th harmonic from B and find ourselves precisely at the frequency of a Day – the G of 388.36148148 recurring Hz, and its octaves.

 

A New Paradigm for Music and Sound

So, there it is – the “phenomenal” frequencies that I experienced connect directly and harmonically with the daily heartbeat frequency of the rotating Earth.

This confirms that the B-flat and F frequencies I had found are electromagnetic resonances of the Earth’s rotation – and presumable its electromagnetic field – as these frequencies were interfering with my electronic sound-wave generator..

 

Binaural Music

If we create our binaural beats based on these frequencies, our brains will be attuned – give this one I created a try, or this. Binaurals rely on headphones or stereo-speakers to deliver two different frequencies to your left and right ears, and your brain has to assimilate this information. I wonder if it will help remedy migraine headaches.

• I sometimes sleep with a 9.6 Hz magnetic resonator under the mattress, corresponding to E-flat, above. It brings on lucid dreams, and muscular relaxation
• If our music and discourse are made against this fabric of sonority, we will be in-sync with the bird- and animal-song; we will hear what they are saying in the context of what it is – a hymn to the creative wonder that gives us life every moment of the Day!

When I took the following recording of Beethoven’s Moonlight Sonata which I tuned to play only these exact frequencies, out into the fields, it seemed like the Birds and the Sheep were just singing along already: I just happened to show up with a piece of music which was based on the same musical scale they were singing!

 

Natural Simplicity

A day is a day. That may be the only thing in our lives which can be sure of. The same, every “day”! Take this piece of music out into the fields, and enjoy!

Assembling Keys from the Matrix Of Tones

The remaining trick then is to know which notes we are pulling from where in this harmonic matrix and to construct musical scales that resonate with specific aspects of the divine geometry.

e.g. Do you take the E from the first/Earth column (327.68 Hz), or from the second/magic column, or from the 3rd/heavenly column?

Alternative Frequencies

• In the right-column, we can generate alternative frequencies for G, D, A, E and B. And I’ve tried to highlight these “alternative flavours”in the same colour – e.g. E in purple.
• Potentially, for micro-tonal music, you could have an instrument with more than 12 notes per octave, and have multiple versions of these notes – and probably that’s what singers do. But for instruments with frets or hard-tuning, it’s a lot easier with the normal 12 notes per octave – and on the guitar, that’s what bends are for!
• Note, that these “third-column” frequencies for G, D, A, E correspond to Zarlino’s frequencies in the 1500s, and the frequencies which enthusiasts for music based on A = 432 Hz generally espouse and have in healing tuning forks, etc.

A Isn’t Always 432 Hz

In the recording above, A is 436.90666 Hz – taken from the first column – of 3rd-harmonics of the Day. In this next recording, the A is taken from the 3rd column above, two 5th harmonics away from the first column. You can decide which you prefer.

Seconds and Helekim and Geometry

Some of these numbers are familiar, “cosmic” numbers in the Vedas, the New Jerusalem, Plato’s Magnesia, John Michell’s Dimensions of Paradise, etc., but I want to mention that there’s a hidden prejudice in our modern thinking, which is that we think everything is about the Second: Hertz is vibrations per Second.

But, for the ancient Hebrews and Babylonians who developed today’s system of 360 degrees, miles, hours and minutes – the unit of time was the Helek – equal to 3.333 recurring of today’s seconds; not the Second.

So, does the number 432 appear in Earth harmonic scale anyway even if we don’t make A=432 Hz? Yes, it does:

• 432 beats per Helek = 432 / 3.33333 seconds = 129.6 Hz. And what note is 129.6 Hz? It’s not an A, it’s an octave of C at 259.2 Hz
• Also, as it happens, there are 25,920 Heleks in a day (3.3333 seconds x 25,920 = 86,400 seconds (there’s that 432, 864 number again). So, 432 is important, but it may refer to C rather than A.

(John Michel is an excellent, readable source for information about the amazing coincidences of size, distance and proportion which mean that Pi can be derived from the ratio of the Earth to the Moon, how the Moon is sized and distanced so perfectly in relation to the sun that it precisely blocks it out in an eclipse, etc.; and amazing coincidences of how the same harmonic numbers we see here translate to the numbers of stades, furlongs and Egyptian feet necessary to span the Earth’s equator. Evidence of the harmonics of balance being foundational to our universe, and something never taught in today’s schools! )

We mentioned that there are 25,920 Heleks in a Day. There are also 25,920 years in the Great Year (the time it takes the precession of the Earth’s equinox to complete the tour of all 12 areas of the zodiac). So, the significance of 432 viewed with the ancient metrology of the Helek instead of the Second, shows itself more in the C-note as being of cosmic significance, than the A.

• Similarly for 288: Instead of 288 beats per second as a D, 288 beats per Helek = 288 / 3.33333 seconds = 86.4 Hz. And what note is 86.4 Hz? It’s not a D, it’s an octave of our magic F at 345.6 Hz

Also, the size of the “enclosures” at Gobekli Tepe, and the distances reported for moving stone with sound correspond to the wavelengths of the frequencies for B-flat, F and C. They are “sacred” resonances because they align with the power of gravity and magnetism, the very tissue of our conscious planet and our experience of it.

 

Guitars tuned like the Day!

Funnily enough, the open notes on a guitar are tuned to the 3rd harmonics emanating from the Day/G in the lower left-hand corner of the diagram. G D A E B. (tuned as E A D G B E). Even more interesting is that we derived all of these as 3rd harmonics, except for the G to B, which is 5th harmonic (going horizontal on the diagram above); and on standard guitar tuning, G to B is the only string relation based on the 5th harmonic. Perhaps there is something fundamental in the way a guitar is tuned that has somehow been passed down through the ages.

Other Observations:

• At C-sharp in the diagram, it corresponds to both 1-minute, and 1-degree.
• B-flat corresponds to 1.11 seconds. There is an increasing number of people who find that most of the time when they look at a digital clock it is showing 11 minutes, 22 minutes, 33, 44, 55 minutes past the hour. Perhaps then this is a harmonic event making itself known.

60-based counting, vs 64-based counting:

The ancient Babylonians worked out our 60-based counting system. 5 x 12 is 60; 12 can be derived from 3, 4, 6, etc. In the guitar-string example it works well, because when you touch your finger at various whole-number divisions of the length of the string, you hear the harmonics that make up the fundamental sound of the string played open. And the strongest harmonics are divisions at 2, 3, 4, 5, 6, 7, 8, 9 of the string length.

But some have posited that the Ancients got it wrong: there are, for example, 64 codons in DNA, 64 hexagrams in the I-Ching, and, of course, 64 is a binary number: 2, 4, 8, 16, 32, 64. One extension to this idea is that C should be 256 Hz (because 64, 128, 256), instead of 259.2 Hz from the middle column as the 3rd harmonic of F. (Whereas C at 256 Hz can be derived as the 5th harmonic of our Ab frequency (0.1 Hz x 5 = 0.5 Hz, which if you multiply by 2 gives you octaves of 1 Hz, 2, 4, 8, 16, 32, 64 Hz, etc.)

Notice though that, when viewed as vibrations per Helek, E-flat can be one vibration per Helek – or one vibration per 64 Heleks as it’s octave (1, 2, 4, 8, 16, 32, 64). E-flat, as one vibration per the Ancient unit of time provides that binary aspect to the sonic pattern, without having to distort C as 256 Hz.

As DNA has 64 codons, perhaps there is an interesting health opportunity with the use of E-flat as a healing frequency. As I mentioned, I use an electro-magnet under my mattress, set to E-flat (at 9.6 Hz) and I do seem to wake up refreshed. (The one I use, programmes in an hour of B-flat (14.4 Hz) at the end, so you are bought out of deep gamma. If I get up before that part of the programme, I’m pretty groggy!)

So, go to this section on Harmonic Instrument Design in order to play your music with these “Earth” harmonic frequencies.