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The Cygnus Key

So, I’ve been reading Andrew Collins’ fascinating book, the Cygnus Key – which gets into the common astro-alignment of Gobekli Tepe and the pyramids of Giza, and the acoustic qualities of both. The author talks about how the inner sanctuary as these “temples” (or shall we call them studios?!) was 20 cubits by 30 cubits.

The ancient measure of a cubit has been determined from the pyramid at Giza to be 21 inches.  So, a room that is 30 cubits long (using the Royal Cubit of 21 inches) is 52.5 ft.  And the frequency for a wavelength that is 52.5 ft long is 21.5 Hz (use this tool to calculate: http://www.1728.org/freqwavf.htm using an air temperature of 20 degrees centigrade) – and in my world of magical frequencies, an F is 21.6 Hz!!  That’s just 0.1 Hz off!  So, the inner sanctuary that the author mentions on page 262 would be actually tuned almost exactly to an octave of the magical F frequency of 10.8 Hz (10.8 Hz x 2) which I discovered as a “still node” of vibrational consonance and have documented on this web-site!

The other dimension of that inner sanctuary, at 20 cubits, at 21 inches per cubit is 35.0 feet.  And the frequency corresponding to a wavelength of 35.0 ft is 32.2 Hz.  And, the frequency for a C, as a harmonic 5th of my F frequency, is 32.4 Hz!  So, just 0.2 Hz off!
So, the inner sanctum of these ancient temples, using dimensions first identified in 9,600 BC were more than for creating a fifth/fourth resonance – it was designed to produce resonance specifically to the “magical” frequencies that I discovered for F and C.
That is an incredibly strong piece of corroborating evidence for both of our theories.
For the later sanctuaries, where the long dimension was extended to 90 cubits (page 277): at 21 inches per cubit is 157.5 feet.  And the frequency corresponding to a wavelength of 157.5 feet is 7.15 Hz.  And my frequency for the fundamental, magical tone of B-flat is 7.2 Hz !!  B-flat is the lowest note from which the fifth is F, and the fifth of F is C.
So, allowing for temperature, these rooms are designed specifically to generate B-flat, F and C – and not the modern, 440 Hz version of these notes, but the specific frequencies of these notes which I was able to discover of 7.2 Hz for B-flat, and 10.8 Hz for F, and their Octaves and harmonics, as I have documented on my web-site.
Clearly, the ancient Egyptians, and the ancient Anatolians before them, knew what these frequencies were and knew they were fundamental, sacred resonances at the foundation of creation!
Once again, this theory of sacred resonance has been re-inforced, this time by the ancient geometry of Gobekli Tepe and the ancient Egyptian temples that came after it!

A video of the sonic “still-points” phenomena that I discovered with a tone generator

Best listened to with headphones: The phenomena I discovered in which very low frequencies emit a waving, purring oscillation sound which comes to a halt at precisely 10.8 Hz, 7.2 Hz and 5.4 Hz. These frequencies correspond to a very low F, B-flat and low lower octave of F, respectively. And they are exactly a musical fifth interval apart (7.2 x 3/2 = 10.8).  

I interpret the cause of this phenomena to be a sonic “interference pattern” between the generated tone and some background vibration which is essential to reality but which we don’t hear. Interestingly, NASA has provided recordings of black holes emitting a very low B-flat note and I have found evidence of these frequencies from a range of ancient bells and flutes and other phenomena which I have documented at http://www.HarmonicsOfNature.com

Interestingly, the harmonic scale generated from these frequencies produces A = 432 Hz, thought by many to be the correct reference pitch instead of the current “standard” of A = 440 Hz. 

The implications to music are profound, indicating that music should rightfully be played in scales based on these frequencies for B-flat and F in order to align with the fabric of the universe. The healing potential for these frequencies and their harmonics needs to be further explored for health, happiness and spiritual alignment. 

Interestingly, 72, 54 and 108 are all ancient sacred numbers – which I didn’t realize when I first found this phenomena. 

Electrons in the key of F

This fellow plays the sound of a “nano-tube” at around 12:20 where with each electron added, the nano tube plays a note of the F minor scale.  https://youtu.be/wZzHnZzm_58

If it won’t open for you, search for:  Leo Kouwenhoven – “Spooky” physics. Tedx Delft

I’m just playing along with my guitar where my F is tuned to 345.6 Hz. You could try it on a guitar or a piano. 

Further evidence that F (and the note a fifth below it, B-flat) are fundamental frequencies in the universe which become apparent to us through oddities like this nano-tube and my own weird encounter with the tone generator on my iPhone. 

The architecture of our lives is defined by our music

Falling asleep vision/understanding: our music defines our “architecture”. It’s more than architecture being “frozen music”. It’s that our music actually reflects our mental state at the personal level and also at the cultural level. By re-accessing our music from stages of our life, we are able to access the reality of that time. It’s more than just treating Alzheimer’s – it’s recreating the energy which in turn had created that physical reality at that time. 
Our music is crystallized to form our vision of the world. Elevate the music and you elevate the architecture and the physical understanding. 
The music is transient and hard to recreate – lost prior to the Middle Ages it seems – but perhaps it can be reverse-engineered from their architecture – such as from the pyramids themselves – and so, we can understand how and why they did it. 
But really, our goal must be to go forward to elevate music to build on what we know and define a new architecture and understanding for the future.