Legend has it that Robert Johnson wandered down to the cross-roads one night, handed his guitar to the Devil - who tuned it for him and handed it back. And in this way, he went from a guitar player who his mentor, Son House described as "noising" to one of the most delicate, lyrical bluesmen … Continue reading Robert Johnson – how he may have tuned his guitar
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Using sound and wavelength to move rocks
The secret to Tibetan monks’ ability to move rocks with sound is the standing waves they create at 5.4 Hz, due to the wavelength of distance between them and the rock to be moved, and the frequency of the sound they create
Music and the fabric of time
Using the ancient Hebrew division of the day as a Helek equal to the time it takes the Earth to rotate 1/72nd of a degree, the author identifies a range of musical frequencies that form a natural scale - including B-flat as 7.2 Hz and A as 432 Hz, which provides further evidence that the counting scheme of 360 degrees and our measure of time are not artificial but inextricably bound in the architecture of our planet, the Moon and the Sun.
The Cygnus Key
The ancient formula for temple proportion used at Gobekli Tepeh and other ancient spiritual sites was 20 x 30 cubits. It turns out that the standing acoustical wavelength for a building of this proportion is exactly a C of 259.2 Hz and an F of 345.6 Hz. The later temple “template” extended the “nave” to 90 cubits which exactly matches a B-flat frequency of 7.2 Hz. These times are all precisely a musical 5th apart and their frequencies I have found to exhibit a strange alignment with a background of audio infrasound which appears to be at the foundation of reality. The ancients understood the true “atunement” of a sacred space.
A video of the sonic “still-points” phenomena that I discovered with a tone generator
A video that shows the swooshing sound which stops at specific frequencies of 5.4 Hz, 7.2 Hz and 10.4 Hz, demonstrating an interaction of these frequencies with some previously unidentified background radiation of infrasound which seems to permeate our universe. The harmonics of these frequencies also align with A = 432 Hz and many other musical and natural phenomena. While the numbers themselves align with modulus 9 and sacred numerology.
Electrons in the key of F
An electron gun which happens to make an F tone, further evidencing the importance of harmonics of the frequency of 5.4 Hz as foundational to the natural vibration of our universe
The architecture of our lives is defined by our music
Falling asleep vision/understanding: our music defines our “architecture”. It’s more than architecture being “frozen music”. It’s that our music actually reflects our mental state at the personal level and also at the cultural level. By re-accessing our music from stages of our life, we are able to access the reality of that time. It’s more … Continue reading The architecture of our lives is defined by our music
Building a just-intonation electric guitar
How to customise a Freenote just intonation guitar neck to play the harmonics of the B-flat universal harmonic scale discovered to align with the fundamental vibration of the universe
Ideas on an Aesthetics of Tonality
Christian Schubart, Ideen zu einer Aesthetik der Tonkunst, emotional qualities of musical keys - organised by scale and revealing coincidence with my own synesthesia in reaction to the universal harmonic scale based on B-flat at 7.2 Hz
Zarlino
Zarlino was a Venetian codifying the essential of musical harmony in the 15th century and documenting the frequencies for A as 432 Hz, D as 288 Hz, and other related harmonics of that natural scale