All In Good Time
It’s not just the musical notes that are better off when in-tune with Nature: The beats themselves can be multiples of the Earth’s daily spin. Each note of the harmonic scale has an equivalent Beats Per Minute: you just multiply the frequency for that note by 60 seconds to convert it from vibrations per second to vibrations per minute, and then divide it by 2 enough times to bring it down into a tempo you can handle.
For example:
Let’s take C 256 Hz from the third column in the diagram above and times by 60
$256 Hz \times 60 seconds = 15,360 BPM$
Obviously, nobody can dance that fast, so divide it by 2 a bunch of times:
$\frac{15,360 BPM}{2 \times 2 \times 2 \times 2 \times 2 \times 2 \times 2} = 120 BPM$
Interestingly, most of the Disco from the 1970s was set at 120 BPM.
Included on the right side of the chart is the BPM for each of the Solfeggio, as well. Some people will be intrigued to see that these include 33, 66, 88 and 99 BPM.
Simple, iconic numbers appearing harmonically from the aeons of time and Earth geometry.
Making a mesh
The opportunity here is to construct the tempo of the song to be a harmonic of the key of the piece of music you’re creating. And in this way, the low bass frequencies will mesh seamlessly as waves of resonance with the beats of the music – amplifying the field of interacting vibration and possibility.
Here’s an example of a track by Sanjay Soul where I slowed the BPM and added a wobble bass frequency that fits with that BPM:
(And here is the original for comparison).
There’s a tutorial for doing this, here