Sacred Number

One of the first people I contacted when I first detected the Earth’s pulse was my friend from Oregon, Susan Alexjander.  She is known for her work using infra-red light to energize DNA and to record the frequencies of light returned by the different components of DNA – and constructing a musical scale and pieces of music using these frequencies. 

The frequencies I had detected were 10.8, 7.2 and 5.4 Hz.  The first thing Susan said to me was, “Well, those are all sacred number: 108, 72, and 54.”  They all feature in the Indian Vedas, in the old and new testament of the Bible.  We may be familiar with the 108 beads of the rosary and the indian “mala”.  Why is it 108?  108 is 12 times 9, and 9 is an important number.  But perhaps these numbers also correspond to the spin and size of the Earth. 

Pyramid Resonance

In a technical walk-through of the resonance of the pyramids of Cheops in Egypt, author of Giza Power Plant, Christoper Dunn mentions several resonant points:

• “Resonant points around 2.5 Hz”  – F is 2.7 Hz.  E 324 Hz resonates at 2.53 Hz
• “Around 90 Hz I observed a strong room node” – F is 86.4 Hz.  F-sharp can be 90 Hz when taken as the 5th harmonic of D 72 Hz
• “…and sweeping at 1.1Hz/sec — some real energy was transferred.”  – C 256 Hz resonates at 1 Hz. C-sharp at 273.066 resonates at 1.0666 Hz
• “What really made everyone get up and run to the exit was the resonance near 30 Hz” – B-flat 460.8 Hz resonates at 28.8 Hz. B at 486 Hz resonates at 30.375 Hz; and at 480 Hz (as the 5th harmonic of G 384 Hz) it resonates at 30 Hz, precisely.
• It also appears that any wind pressure across the Pyramid’s internal air shafts, especially when the Pyramid was new and smooth, was like blowing across the neck of a coke bottle. This wind pressure created an infrasound harmonic vibration in the chamber at precisely 16 Hz.” – C is 16 Hz.

The author also notes,

“Being a musician myself, I was especially interested to discover a patterned musical signature to those resonances that formed an F-sharp chord. Ancient Egyptian texts indicate that this F-sharp was the resonant harmonic center of Planet Earth. F-sharp is (coincidentally?) the tuning reference for the sacred flutes of many Native American shamans.” 

It would be handy if he referenced those “ancient Egyptian texts” directly.  Geometry may have come from Egypt before it came from Greece, and the notion of 360 degrees as the sum of the interior angles of many geometric shapes has caused many to speculate that there is a correspondence between angles in degrees and vibrations per second.  However, for the ancient Hebrews and Babylonians who are credited with defining degrees, hours and minutes – they did not have seconds, but Heleks – which are equal to 3.33333 of today’s seconds.  In which case, 360 divided by 3.33333 seconds = 108 vibrations per second, which is an octave of A = 432 Hz (not an F of 360 Hz).  So, is Christopher Dunn letting that speculation about 360 degrees and vibrations per second colour his interpretation of the pyramid?  We need to ask him.

Meanwhile, the author’s recorded measurements seem to align with the Earth Frequencies centered on B-flat and F.

It’s not clear to me whether the Pyramid was created as a beacon of historical knowledge, as Graham Hancock has written, or as a mechanism for generating harmonics for good (or bad) purpose.  But that these harmonics are present along with the other geometry of the place does indicate the knowledge of the principles of universal harmony, and the intent to align with them.

Sonic Geometry

The video above, while compelling provides some insights, and some  interpretations of ancient geometry I believe to be incorrect. The reason for this misinterpretation is that the ancient Hebrews and Babylonians who developed the system of 360 degrees and the distance of miles in geometry – did not measure time in Seconds, but in Heleks.

• • Each Helek is 3.33333 of today’s seconds

• • There are 18 Heleks to a minute

• • Each Helek is the time it takes the Earth to rotation one 72nd of a degree.

The table below assesses the interior angles of various 2D and 3D shapes according to common interpretation of vibrations per second, and corrected interpretation as vibrations per Helek

Geometry:

• • 2D shapes totalling octaves of 360 degrees (square, circle)

• • 2D shapes totalling 180 degrees (triangle)

• • 2D shapes totalling 540 degrees (Pentagon (540), Octagon (1080), Flower of life (6 circles) = 2160

• • 3D forms totalling octaves of 360 degrees(Tetrahedron (720), Octahedron (1920), cube (2160)

Hz interpretation:

• • 360 Hz = F#

• • 180 Hz = F

• • C-sharp

• • 360 Hz = F

Helek interpretation:

• • 360 per Helek
    = 360/3.3333 secs
    = 108 Hz = A

• • 540 per Helek
    = 540/3.3333 secs
    = E, 162 Hz

• • 360 vibrations per Helek:
    = 360/3.3333 secs
    = 108 Hz = A

• • Phenomena relating to multiples of (or numerological similarity to) 144 (D) and 432 (A):
    • • 12 x 12 = 144 Hz = D
    • • 2160 :
        • • 2,160 = diameter of the Moon (in miles)
        • • 2160 vibrations per Helek = 648 Hz = E note
        • • 2,160 x 12 = 25,290 = The “great year” (how many Earth years it takes for the precession of the equinoxes to complete one cycle, through all 12 signs of the zodiac)
        • • 25,920 / 60 = 432 (A)

    • • 432 (A) x 2 = 864 x 1,000 = 864,000
        • • 864,000 diameter of the Sun, in miles
        • • 864,000 number of seconds in a day

At 12 minutes, 50 seconds – the narrator states that “the tuning method required to reveal geometric shapes is based on a mathematical grid, rather than mathematical ratios.”  In other words – that author has not found a harmonic series which contains the numbers 540, 360, 144 and 432.  But the Earth harmonic series  does include all of these frequencies! And retains the numerological alignment to the number 9 described in the video.

So, this is an example of where simply by labeling the frequency 432 Hz with the note “A”, people assume that the A-note should be the foundation of musical harmonics.  But it is not.  See this section which compares the harmonic series derived from A=432 Hz to the harmonic series derived from B-flat=460.8 Hz.  As we have discovered above, the correct harmonic starting point is B-flat = 460.8 Hz (and, if you’re just tuning in, 4 + 6 + 8 = 18 = 9).

If you use a frequency of 460.8 Hz, as a B-flat – an octave of 7.2 Hz which I detected – you have a basis for all the amazing things identified in the video – plus it’s actually musical – you can actually play perfectly harmonized music based on that harmonic series.